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Why the dark?
Most of Redd’s work leans toward the strange, unsettling, grotesque, spooky, or unfamiliar. That does not come from wanting life to be darker. It comes from wanting people to become less afraid of the parts of imagination and emotion that are usually pushed away.
The goal is to make the unfamiliar feel familiar. Shock can open a door, curiosity can keep it open, and understanding darker ideas can make the light in ordinary life easier to recognize and appreciate.